As the bigger, bolder cousin to our classic C10 model and the newest body shape in our acoustic line up, the C100 combines parlor-style proportions with the power and volume of a large-bodied instrument. With a nearly 16” lower bout and 4 ¾” body depth, the C100 offers no shortage of solid, low-end response, yet the narrow waist and non-scalloped bracing design provide exceptional balance and clarity typically found only in smaller-bodied instruments. Whether you’re a flatpicker, fingerstyle player, or something in between, the C100 offers impressive versatility and just might be the ideal companion for singer-songwriters looking to fill the room with sound while still leaving space for vocals to shine through.
Top Sitka spruce Back & Sides Honduran mahogany Neck Honduran mahogany Body Binding Ivoroid with rope purfling Fingerboard Binding None Peghead Binding None Bridge Ebony belly-style with 2 3/16" spacing Fingerboard Ebony with MOP long dots Bridge Pins/End Pin Ebony with MOP dot Nut Bone, 1 11/16" Saddle Bone, drop-in Neck Profile C-shape Peghead Profile Haircut Neck Joint Mortise & tenon hybrid Truss Rod Fully adjustable Frets Medium 18% nickel-silver Peghead Veneer Ebony with MOP Collings logo Tuners Nickel Waverly (16:1 ratio) Backstrip 1-style (Walnut) Rosette Ivoroid with b/w purfling Scale Length 25 1/2" Brace Material Sitka spruce Brace Pattern Pre-war non-scalloped X-brace Fingerboard Radius 14" - 26" compound Body Finish High gloss nitrocellulose lacquer Neck Finish High gloss polyester resin Pickguard Tortoise Strings D'Addario EJ-17 (.013"- .056") Case Deluxe hardshell case by TKL
*Actual measurements may vary slightly due to hand-sanding and finishing variables.
Body Length 19 3/4" Body Depth 4 3/4" Lower Bout Width 15 7/8" Total Length 41 1/4"